|
MACON,
GA - The heyday of Southern Rock in the 1970s
began with the 1973 release of the Allman Brothers
Band’s Brothers and Sisters album, with its
major hit "Ramblin' Man" and other Southern inflected tunes
like "Jessica". This album was a departure from previous Allman
Brothers work, which until the death of band leader Duane Allman
in late October 1971, had been purely blues rock. Dickey Betts' "Blue Sky",
which appeared on the 1972 Eat a Peach
album, was the one song recorded during the Duane Allman era
that could in retrospect be seen as a bridge to Southern Rock.
Betts' ascension as band leader following the death of Duane and
then Berry Oakley, the band’s original bassist, turned the
direction of the band and American pop music, in general, towards a more Southern-fried sound. In the early 1970s, another
wave of hard rock Southern groups emerged. Influenced by British rock and
the hard rock guitar sound, most notably Keith
Richards' riff on "Brown Sugar" and Free's guitar play on "All
Right Now", these new hard rocking Southern bands emphasized boogie
rhythms and fast guitar leads with lyrics extolling the values,
aspirations and excesses of young Southern working-class adults
similar to country music's outlaw movement of this same era.
Lynyrd Skynyrd dominated this genre until the
death of lead singer Ronnie Van Zant, Steve Gaines and Cassie
Gaines in
the tragic 1977 airplane crash near Gillsburg, Mississippi. This
new "Southern Rock" music was also heavily
influenced by the late '60s electric rock music scene and these
acts included Elvin Bishop, Wet Willie and ZZ Top, all considered
part of the first wave of Southern Rock. The Marshall
Tucker Band from South Carolina opened many Allman
Brothers shows and were creatively on par with them by using
elements of blues, country rock and blues rock in their music.
Also associated with the first wave of Southern rock were
Grinderswitch, Barefoot Jerry and the Charlie Daniels
Band. Daniels himself gave Southern Rock its
self-identifying anthem in 1975 with "The South's Gonna Do It",
the lyrics of which mentioned most of the above bands,
proclaiming: "Be proud you're a rebel/'Cause the South's gonna
do it again." The Outlaws from Tampa, Florida,
brought bluegrass licks into their music as another Southern
Rock staple. The Atlanta Rhythm Section, the
Amazing Rhythm Aces as well as Orleans
and Louisiana's Le Roux were more focused on
vocal harmonies. Molly Hatchet, .38
Special,
Blackfoot, Johnny Winter, Black Oak Arkansas
and the Ozark Mountain Daredevils were also popular Southern Rock acts
in the 1970s.
|